>> Send Us Your News, Your Press, Your Audio For Review

RPM Direct Inc. and The Music Business Registry have again partnered to publish the 2nd Edition Producer & Engineer print Directory. To order the 2nd Edition Producer & Engineer Directory go to www.rpmdirect.com, or call 1-800-377-7411. If you have recording industry related press, producer/engineer news, studio sessions news, announcements, producer client updates, pro audio product news, music for review or something else to contribute, send it to News@rpmdirect.com.

>> 6th Annual Pacific Northwest Studio Summit

The Pacific Northwest recording community will come together for a full day of education and networking at The Recording Academy's 6th Annual Pacific Northwest Studio Summit, which takes place on Saturday, Mar. 4, 9 a.m. – 6 p.m., at Seattle's Experience Music Project (325 5th Ave. N, 98109; on the Seattle Center Campus). Featuring GC Pro as its title sponsor, the Summit brings together individuals from all walks of the music industry to focus on the craft and creation of sound recordings. Admission is free for Recording Academy members, $30 for students and EMP Members and $40 for the General Public. "Producers and engineers are the unsung heroes of the music industry," comments Ben London, Executive Director of the Pacific Northwest Chapter of The Recording Academy. "With their skill and dedication, they help fulfill the creative vision of all kinds of artists while also propelling forward the art of recording. The Studio Summit strives not only to spotlight the talents at work in the industry today, but also to educate the innovators of tomorrow." The 2006 Summit includes a keynote interview by producer/engineer Joe Chiccarelli, acclaimed for his work with Elton John, Beck, U2, Melissa Etheridge, Tori Amos, Etta James, and the Kronos Quartet, among many others. Also featured is mastering legend Bernie Grundman, whose name is synonymous with mastering. Grundman's credits include Michael Jackson, Quincy Jones, Van Halen, Prince, The Carpenters, Barbra Streisand, Maroon 5, and Outkast, among thousands of other top recording artists. In the forefront of the industry for more than 30 years, he continues to master hit albums in every genre; in 2005 alone he worked on projects for everyone from Jack Johnson, Mary J. Blige and Jamie Cullum to Master P, John Frusciante and Cirque du Soleil. Noted record producer Mike Clink will round out the day of presenting recording masters. Clink has 20 years of experience in the music industry working on projects that have sold more than 70 million records worldwide. Famed for his work with legendary bands such as Aerosmith, Guns N' Roses, Van Halen, and Metallica, Clink also specializes in developing new talent, most recently the Glitterati for Atlantic Records. Mike travels the world to record large media events, including ABC's Millennium Broadcast from Osaka, Japan, the Super Bowl XXXV Halftime Show, Super Bowl XXXVII Pre-Game Show, and the 2002 FIFA World Cup Soccer Championship. Other scheduled panels include a look at the all-important subject of today’s changing master delivery and archiving standards for digital recording featuring Steve Smith from Avastor Hard Drives and Rick Seneschal from Microsoft Studios. Throughout the day, GC Pro will provide hands on demonstrations of some of the newest recording equipment. The Pacific Northwest Studio Summit was started in 2000 by the Pacific Northwest Chapter of The Recording Academy and has featured some of the industry's top talent. Past participants include Steve Albini, Nile Rodgers, Bob Powers, Steve "Silk" Hurley, Phil Tan, Steve Fisk, Martin Feveyear, Jack Endino, Ryan Hadlock and Larry Crane. The Pacific Northwest Studio Summit is being produced by the PNW Chapter of The Recording Academy and The Academy's Producers & Engineers Wing along with GC Pro and Experience Music Project. Event Contact: Josh Ayala Pacific Northwest Chapter of The Recording Academy 206.834.1000.

^ back up ^

>> Adam Lasus Moves Fireproof Studio To Los Angeles

The runaway indie success of Clap Your Hands Say Yeah may have taken the music industry by surprise, but any fan of American independent music who's taken the time to read the album's credits would not have been surprised at all to see producer/engineer Adam Lasus' name. Since the dawn of 'indie rock' in the early '90s, Lasus has been involved in the recording of over 100 albums, including those of such notable artists as Yo La Tengo, Juliana Hatfield, Helium, Clem Snide, Versus, The Lilys and Madder Rose. He got his start in Philadelphia, in a basement studio called "Studio Red" and then moved to an old firehouse in Brooklyn in Red Hook and renamed his outfit Fireproof Recording. Adam has just relocated to Los Angeles, with a new project studio already up and running. “My new studio In Los Angeles is still called Fireproof and has been designed to be a fun and vibey place to record. It is a playground of sorts for musicians, with tons of instruments and effects pedals and vintage recording gear. My concept is that the studio needs to be a place where you can relax and have a good time and in that state creativity flows to tape with ease.” Adam's recent move to Los Angeles was partly due to the demand ignited by his work on the CYHSY record. "I knew the Clap Your Hands Say Yeah album was an important one while I was working on it, but I did not know it would become the groundbreaking self-release that's giving the industry a good kick in the pants," he says. "CYHSY's songs are a great blend of 1977-78 new wave hooks, 80’s British post-punk and smart indie rock. When were getting ready to record some of the basic tracks they started playing ‘Skin Of My Yellow Country Teeth.’ They were playing it so kick-ass that I had to roll tape even before I had all my sounds completely tweaked because I didn't want the moment to slip away. And that was the take that made it to the album. It was about capturing a performance and a spark that usually only happens in the first couple takes. The early takes are always the most inspired.” On the recording of the record, Adam commented, "The record began on 2-inch analog tape, and was then transferred to digital for ease of mixing. There was none of the copying and pasting that is very common in pop production these days. I try to record as old school as possible.” Having been in the business for so long, Lasus has an informed industry perspective. “I have always encouraged bands to put out their own records instead of waiting to be discovered and I think we will see a lot more of this kind of label-free success in the future," he says. "Watching this record take off and end up on tons of best of 2005 lists has been exciting and refreshing and will open the floodgates for more creative and adventurous albums to be made and played on the radio.” Adam is represented by Jim Phelan and Jerimaya Grabher at GPS | Global Positioning Services in Santa Monica, CA. (310) 656 1340 or info@globalpositioningservices.net.

^ back up ^

>> Harrison and Thorngren Mixing Kenny Wayne Shepherd Surround DVD

The Talking Heads Brick (Rhino Entertainment), a DualDisc box set, garnered several awards at the 4th annual Surround Music Awards ceremony in Los Angeles, including "Best Mix: Non-Orchestral," "Best of Show," and "Best DualDisc Release." Producer Jerry Harrison and engineer Eric "ET" Thorngren spent close to a year completing the massive 90-plus track opus--all eight of the Talking Heads studio albums. Now, they are creating surround mixes for the DVD and film of Kenny Wayne Shepherd's Ten Days Out: Blues from the Backroads, set for release in September 2006. Harrison said, "We have been bitten by the majesty of surround sound and are interested in taking on other surround mixing projects. We've developed a core set of practices for surround mixing," continued Harrison. "When we started the Talking Heads surround mixes we spent a lot of time listening to what others had done, and created our set of preferences for the way a 5.1 mix should sound. Rock music has an appeal that comes from power not clarity." Thorngren added, "I feel there is a unique advantage to mixing with analog compressors. You get the fullness or ìmeatinessî that rock needs." Harrison continued, "We make sure to retain the power of the band, and keep it on a stage in front of you. We use more subtle techniques in the rear speakers, but you definitely feel immersed in the music; that's the joy of experiencing surround production." The first surround project Harrison and Thorngren completed was remixing the 1984 live Talking Heads Stop Making Sense for DVD release from Palm Pictures in 1999. Harrison and Thorngren will use all the tools and techniques from earlier projects to mix Kenny Wayne Shepherd's Ten Days Out: Blues from the Backroads. The team works out of Harrison's Sausalito Sound studio in Sausalito, CA, which is uniquely equipped for surround mixing using two Pro Tools HD systems and 48-channels of Dangerous 2-Bus and 2-Bus LT for analog summing of the 6 channel mixes. Mixes are recorded onto the second Pro Tools system at 192kHz or 96kHz depending on the project's needs. The studio also has two sets of surround speakers to check mixes, a Blue Sky SAT 6.5 and a special set of 5 Yamaha NS-10M speakers with vintage Hafler 220 amps and a carefully matched Meyer Sound subwoofer. Outboard gear includes a host of classic analog EQs, compressor/limiters, console pre-amp and EQ modules and more.

^ back up ^

>> Strongroom’s Richard Boote Purchases George Martin’s AIR Studios

Richard Boote, owner and managing director of Strongroom recording studios today announces his purchase of AIR Studios, the world class recording facilities established and chaired by legendary Beatles producer Sir George Martin, from Chrysalis Group PLC and Pioneer GB Limited. The multi-million pound purchase of the AIR Studios premises, a converted Victorian church in Hampstead, London, is backed by Lloyds TSB Corporate. Richard Boote, owner and managing director of Strongroom, says: “I believe that bringing Strongroom and Air together will not only ensure the survival of two of the greatest recording facilities in Europe, but also enhance the offerings of both studios. Clients will benefit from an expanded and more varied pool of technological knowledge and experience, a wider choice of studios and access to a much broader range of state of the art audio and video post-production facilities.” Richard plans to keep both businesses running as they exist today, maintaining their structures, identities and areas of specialisation. In the longer term clients of both studios - in industries ranging from music, film, broadcast and advertising to games and new media - will benefit from an even richer offering of music and post-production services at a broader range of price points. For example, AIR’s post clients will have access to packages including Strongroom’s Off-Line and On-Line HD video post facilities (enabling the group to offer a complete service of video post, audio post and sound track production) whilst Strongroom’s clients will be able to use AIR’s matchless Lyndhurst Hall studio for orchestral and large scale acoustic recordings. Established 21 years ago by Richard Boote, Strongroom supplies world class creative music and media services to international artists, record labels and the broadcast, film and DVD industries. Artists such as Feeder, The Prodigy, Sugababes, Goldfrapp, The Kaiser Chiefs, Kasabian, The Thrills and Razorlight have recently recorded and mixed at Strongroom. Recent post-production projects include The Snow Queen (BBC), Autopsy – Life and Death (C4), Bounty Hunters (Bravo), Just add Moves (MTV) and commercials for Lynx, Nike, The Milk Development Council and Microsoft. www.strongroom.com

^ back up ^

>> Threshold Masters Behind The Levee, Running Scared Score

New Orleans' native sons, The Subdudes, chose Threshold Mastering to complete their latest album Behind The Levee with Stephen Marsh, Threshold's director of mastering. The album, produced by Keb' Mo' and featuring the engineering talents of Mark Johnson, was recorded in Louisiana just prior to the Katrina Disaster. The album is available is from Back Porch/Virgin Records. Composer Mark Isham also came to Threshold Mastering recently to complete a score album for the Wayne Kramer-directed film Running Scared with Marsh. The album will be available from New Line Records and features 22 original Isham compositions from the film. Marsh also mastered the score album for The Wedding Crashers with Rolfe Kent for New Line. Previously, the pair had teamed to master the score album for the film, Sideways. For more information visit Threshold Mastering www.thresholdsound.com

^ back up ^

Mark Knopfler, producer/engineer Chuck Ainlay, and mastering engineer Bob Ludwig took home the Grammy this year for "Best Surround Sound Album" for their 5.1 remix and master of the Dire Straits classic album, Brothers In Arms. The original stereo recording of Brothers in Arms was released in 1986 and was one of the first all digital recordings for the new compact disc format. On the technology used to complete Brothers In Arms-20th Anniversary Edition, Knopfler commented, "I still use and strongly believe in much of the older analog equipment for premium sound. However, there are many clear advantages in harnessing digital technology with analog equipment." Using original engineer Neil Dorfsman's tracks, Brothers In Arms was remixed to create the new edition last year on AMD Opteron processor-based digital audio workstations running Steinberg Nuendo production software at Knopfler's British Grove Studio in London. Ainlay has served as the engineer on several of Knopfler's solo projects as well as the more recent albums by Dire Straits. For Brothers In Arms--20th Anniversary Edition, remixed for both DVD-Audio and SACD formats, he started with Dorfsman's original master tapes, which were recorded on a Sony 332416-bit DASH machine, the first iteration of Sony digital multitrack that only supported 24 tracks. Mixing was done on a Neve 88R console, with tracks individually bused from Nuendo directly to the console. In addition, a five-channel surround effects mix in Nunedo was also brought into the console and an SSL compressor was put across the mix bus for overall compression. From there, Ainlay plied his talents to transform the tracks into a stunning surround presentation before handing them off to Ludwig for final mastering. Brothers In Arms--20th Anniversary Edition is available internationally through the Mercury Records label, while in the U.S. it's on the Warner Brothers label.

^ Back up ^

>> Digital Rights Agency Slams Sprint For Failure To Include Indie Artists

Digital Rights Agency, the leading worldwide digital music distributor, announced it has sent a letter to Sprint Nextel Corporation CEO Gary Forsee, strongly condemning the company's failure to include independent record label catalogs in its recently launched full-track download service. Digital Rights Agency represents more than 250 leading independent labels, including exclusive digital rights for the multi-platinum Daddy Yankee title Barrio Fino, the Billboard #1 Latin album of 2005, and key titles by gold and platinum recording artists Chamillionaire, Lil Jon, Snoop Dogg, Death Cab for Cutie, Yellowcard, Smokey Robinson, Count Basie and many others. "More than three months after launching the service, and after advertising on the Super Bowl and Grammy Awards, it's simply unacceptable that Sprint continues to exclude independent labels from its full-track download service," said Digital Rights Agency Managing Director Tuhin Roy. "It's difficult to understand how Sprint will compete with services like iTunes or Verizon's Vstream, if 25% of the time, it will be unable to deliver the music than its subscribers are looking for." For two years, DRA has attempted to initiate direct negotiations with Sprint for a license, and has been repeatedly told that Sprint does not have the resources to carry independent labels. However, DRA and several large independent content owners including the Beggars Group and V2 Records have licensed their catalogs and delivered content to Groove Mobile, which back-ends the Sprint service. As a result, the inclusion of thousand of independent label catalogs in the Sprint service is currently as simple as Groove Mobile 'flipping a switch.' However, Sprint has refused to take deliveries of independent content from Groove Mobile or to negotiate direct licensing deals with independent labels. In contrast, Verizon has been extremely supportive of independent record labels and has included thousands of independent label catalogs in its Vstream service. "Not only do independent labels represent 25% of the music sold in the United States, but they are the engine that keeps the industry vital and growing," added Roy. "DRA's mission is to ensure that independent labels have fair access to digital music services, and we sincerely hope that Sprint will reverse its current policy of excluding the talented and popular artists represented by indie labels." For more information visit www.digitalmediastrategygroup.com

^ back up ^

>> Dave Hyman Rolls Into The Barber Shop

Producer/engineer Dave Hyman was recently in session at The Barber Shop Studios with dancehall star Elephant Man. Hyman booked the Barber Shop to provide a remix and additional production for Elephant Man's hit, "The Way We Roll," featuring Busta Rhymes and Shaggy. The remix was co-produced by Hyman and Cipha Sounds with A&R man Willie Daniels. Hyman created the remix on the Barber Shop's 72-channel SSL XL 9000 K Series console. "It was great," Hyman said of the session. "This was my second time working at the Barber Shop. The first time I went there, I fell in love with the place." As an alumnus of the defunct Hit Factory in New York City, Hyman is accustomed to high standards and The Barber Shop, he recalled, meets those standards. "I was used to having the best equipment and a really comfortable environment. The Barber Shop is always homey and welcoming-it's almost like going to a resort." The Barber Shop Studios www.thebarbershopstudios.com

^ back up ^

RPM Direct Inc. and The Music Business Registry have again partnered to publish the 2nd Edition Producer & Engineer print Directory. Need to find a producer? Here’s over 1,800 of them at your fingertips. The 2nd Edition Producer & Engineer Directory is an annual directory featuring over 1,800 listings of producers, engineers and mixers from the US, Canada, UK, Australia and more. Each listing contains a selection of discography credits as well as detailed management contact information for each producer/engineer. The directory also includes a producer management section listing producer management companies, their client roster and contact information. There is an alphabetical index for both the producer / engineer and producer management listings for quick reference. This directory is a must-have for every recording industry professional or anyone looking to hire a producer, engineer or mixer. The entire content for the Producer & Engineer Directory comes from RPM Direct’s online directories found at www.rpmdirect.com. To order the 2nd Edition Producer & Engineer Directory go to www.rpmdirect.com, or call 1-800-377-7411.

^ back up ^

>> Musical Greats To Perform Special Celia Cruz Tribute

In a special tribute to one of Latin music’s most respected vocalists, Celia Cruz, an all-star cast of American and Latin artists are set to come together for a unique, one of a kind, live recording and DVD, a spokesman for the Celia Cruz estate announced recently. Pedro Knight, Celia’s husband and President of the Celia Cruz Foundation, along with Omer Pardillo, Celia’s manager and Vice-President of the Celia Cruz Foundation and Luis Falcon, co-executor of the Celia Cruz estate and Vice President of Cuban Soul Forever, have entered into a comprehensive agreement with Jeffrey Weber, owner of the Weberworks Entertainment Group to create and produce this live, multi-media recording. The project is set to focus on a very specific period in Cruz’ musical career. Invitations are currently being delivered to the world’s finest Latin and American performers and arrangers who have a reverence for Cruz and her music. The project will be recorded in a live, multi-track format with the final musical destination being a 5.1 surround sound recording in addition to a stereo version. As the recording will be live, the recording will also be filmed in High Definition. A series of behind the scenes interviews will be conducted in the studio environment where the artists involved will be invited to speak about their relationship with Cruz. In addition, the DVD will feature an exhaustive history of Salsa as well as some rare, unreleased tracks with Cruz and some additional footage of Cruz, some of which has never been shown. According to Omer Pardillo, “This project is specifically designed to elevate Latin culture on an international basis with a classic musical statement that will endure the ravages of time.” A ten-time Grammy nominee, Celia Cruz received the first of her eight Grammy Awards in 1989, and also won two Latin Grammy Awards. She has appeared in 10 movies, including The Mambo Kings and The Perez Family. Cruz, who sang only in her native Spanish language, received a Smithsonian Lifetime Achievement award, a National Medal of the Arts and honorary doctorates from Yale University and the University of Miami. Cruz' trademark orange, red and white polka dot dress and shoes have been placed in the permanent collection of the Smithsonian Institute of American History. Jeffrey Weber will produce the project with Pedro Knight, Omer Pardillo and Luis Falcon as Executive Producers. Since 1978, the Weberworks Entertainment Group has been producing high technology, audiophile recordings. They specialize in Live-2-Track, 5.1 Surround Sound and Digital Recordings. Jeffrey Weber has produced over 150 CDs with releases on just about every major label as well as a host of independent labels. Along the way, his projects have yielded two Grammys, seven Grammy nominations, at least seventeen top ten albums, two number one albums and an assortment of other honors. Created in 2002, the Celia Cruz Foundation provides music scholarships to low-income Hispanic students who excel in music and funding for reputable non-profit organizations that fight against cancer and specialize in improving the quality of life of cancer patients while strongly advocating early detection. For more information contact Jeffrey Weber Weberworks weberworks@earthlink.net.

^ back up ^

>> Leona Naess At Dubway Working On New Album

Recording artist Leona Naess was recently at Dubway studios working on her new album. This time around she brought in Ryan Adams and Ben Lee to sing some backing vocals on two tracks. Dubway engineer Emery Dobyns tracked the sessions. Singer/songwriter Anthony Hamilton stopped by the Live@VH1.com set at Dubway this month to promote his new album Ain't Nobody Worryin'. Also on the set, KT Tunstall who is currently on tour promoting her new album Eye to the Telescope and former lead singer of Live, Ed Kowalczyk, also on tour to promote his new solo album Songs from Black Mountain. Dubway Studios' chief engineer Jason Marcucci tracked and Eric Spring assisted. Renowned guitar player Marc Ribot (Elvis Costello, Tom Waits, T-Bone Burnett) was in Dubway Studios' Yellow Room tracking demos for his upcoming album project with drummer Ches Smith and bass player Shahzad Ismaily. Franscious Lardeau engineered the session and Dubway engineer Patrick McLemore assisted. And finally, Broadway singer Audra McDonald was in with music director Ted Sperling and composer Michael John LaChiusa, tracking songs for an upcoming performance at the Houston Grand Opera. For more information visit Dubway Studios online at www.dubway.com

^ back up ^

>> FACES Of MUSIC Author Mr. Bonzai At LA's Book Soup March 8

Award-winning photographer and author Mr. Bonzai, author of the just published Faces of Music, will be joined by members of Devo, The Red Hot Chili Peppers, Police, Firesign Theatre, and Traveling Wilburys at a book signing party Wednesday, March 8, 7PM at Book Soup, 8818 Sunset Blvd., W. Hollywood CA 90069. On September 29, 1967, Mr. Bonzai attended his very first recording session, at the invitation of John Lennon. The location was Abbey Road, and the song was "I Am the Walrus". In attendance were George, Paul, Ringo, producer George Martin, and engineer Ken Scott. This privileged session with the most influential rock band in history set the stage for a life exploring the world of music and recording. In 1980, Mr. Bonzai settled in Hollywood to begin this collection of photographs and words of wisdom and wit. This insightful and inspiring anthology features over 400 photographs and 160 interviews with popular music artists, songwriters, producers, and recording engineers, including Fiona Apple, Jon Brion, Jimmy Buffet, Leonard Cohen, Devo, Geoff Emerick, Peter Gabriel, Herbie Hancock, k.d. lang, David Lynch, George Martin, Robert Moog, Willie Nelson, Les Paul, Phil Ramone, Carlos Santana, Red Hot Chili Peppers, Don Was, Brian Wilson, Stevie Wonder, and Frank Zappa. Mr. Bonzai's work has appeared in Rolling Stone, The New York Times, The Los Angeles Times, Billboard, Mix, EQ, Music Connection, Sound & Recording, Daily Variety and Hollywood Reporter, among numerous others. For more information visit www.mrbonzai.com

^ back up ^

>> Bits & Pieces...

Tsunami Entertainment welcomes talented and versatile producer/engineer/mixer JOE CHICCARELLI to the Producer roster. Having recorded artists as varied as Tori Amos, Beck, Elton John, Rickie Lee Jones, American Music Club, Bon Jovi, Offspring, U2 and Kronos Quartet, Joe is the consummate professional, up for any challenge. Recent projects include The Burdon Brothers, Natasha Bedingfield and Gran Bel Fisher. Currently, Joe is recording Casablanca/Universal recording artist Mika. For more information Adam Katz at Tsunami Entertainment (323) 210-2525 x129

Sabrina Buchanek has joined Cups 'N Strings Studios as re-recording mixer and sound editor, it was announced by studio owner and chief engineer Bruce Maddocks. In the world of film and television post-production, award-winning mixer and editor Sabrina is well-known for her mastery of sound. Buchanek is experienced with the demands of feature films, such as Species and The Fantastiks and television specials like Inside Look: Down From the Mountain, Run for Cover and Dial H for Hitchcock. A graduate of Indiana University with a degree in Recording and Audio Reinforcement, Buchanek is the recipient of Promax Muse Gold and Silver Awards, Aurora Platinum and Gold Awards, Omni Silver and Bronze, and AXIEM Silver Awards for her work on promos and trailers including Hannibal, Gone in 60 Seconds, Ace Ventura Pet Detective and X-Men. For Cups 'N Strings info, tel 310.453.1615 email: info@cupsnstrings.com

Cenzo Townshend mixed the current single for The Editors (Kitchenware) and the new single and album for The Mystery Jets (679). Cenzo has also recorded and mixed the new single and album for The Zutons (Deltasonic) with Stephen Street as well as most of the hit singles on the 1.6million selling album for The Kaiser Chiefs (B Unique) at No 2 this week, The Ordinary Boys (B Unique) single also at No 2 this week and the new Graham Coxon single and album (Transcopic). Cenzo has recorded The Feeling (Island) and has mixed a number songs for Snow Patrol (Fiction) including their stunning new single, You’re All I Have. He is currently mixing Vega 4 (Sony) and Little Flames (Deltasonic). For more information contact Alan Cowderoy at alan@producermanagement.co.uk

Manhattan Center Studios (MCS) in the heart of New York City offers two newly upgraded state-of-the-art television studios, recording studios, video post production editing suites and two magnificent live spaces - the Hammerstein Ballroom and the Grand Ballroom. All of these assets are interconnected to provide complete production services. MCS is pleased to announce the arrival of Daphne Walter. Daphne has come to MCS in the newly created position of Director of Video Production & Operations. She will be responsible for the day-to-day operations of the television studios, including their bookings. She will generate additional business and assist MCS in its pursuit of several new business objectives. Daphne will report directly to MCS’s President and General Counsel, Peter Ross. In her role as Director of Video Production and Operations, Daphne will work closely with Marvin William’s, MCS’s Director of Video Engineering, Freddie DeAngelis, MCS’s General Manager/Video Post Production, OBie O’Brien, MCS’s Recording Studio Manager and Joel Scheuneman, Audio Chief Engineer.

^ back up ^