The
RPM Direct Newsletter
Thursday May 15, 2003
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World renowned and universally regarded music producer Tony Visconti is remixing his original production of T. Rex's seminal release Electric Warrior, in 5.1 surround sound at The Looking Glass Studios in New York City for a late 2003 release. In the sounds of Electric Warrior, Visconti helped give birth to Glam Rock, and this 5.1 surround sound edition will mark one of the first times that an original producer has been able to return to the studio to re-mix the album in surround sound. "We knew we were creating something special when we laid down the tracks for Electric Warrior," said Visconti. "Now, with surround sound, listeners will be able to hear exactly what I heard as I sat in the studio with Marc (Bolan) and the band. This was one of the most important albums of my career, and I'm honored to have been invited to recapture those amazing sessions again." Electric Warrior stayed on the Billboard charts for 34 weeks, but its prescient sound reverberates through rock music to this day. As James Hunter wrote in Rolling Stone, "Before 1971's Electric Warrior, T. Rex -- the brainchild of late English singer-songwriter-guitarist Marc Bolan -- had been an acoustic and folky affair, complete with albums that had titles such as Unicorn and Prophets Seers and Sages. But with Warrior, Bolan, percussionist Mickey Finn and producer Tony Visconti created an altogether different beast -- something that sounded like Fifties rock & roll in the hands of a girl-crazy hippie vampire-boy, and would eventually be called glam rock." Stephen Thomas Erlewine of The All Music Guide to Rock (1995) wrote, "Electric Warrior has nothing but teenage kicks; it's glam rock at its absolute best. Without question, the definitive, classic T. Rex." Visconti has also been busy with another one of rock's icons. He produced David Bowie's 2002 release Heathen (Iso/Columbia), and, with its infectious rhythms, insightful lyrics and immaculate covers, all add up to one of Bowie's best albums since the platinum release Scary Monsters. Additionally, Visconti has completed the 5.1 surround sound remix of two Bowie releases, Heathen and The Rise and Fall of Ziggy Stardust and the Spiders from Mars: 30th Anniversary Edition. Tony Visconti's legacy includes various other productions with David Bowie and T. Rex as well as projects for U2, The Moody Blues, Luscious Jackson, D Generation, Sparks, The Move, Ziggy Marley, Dandy Warhols, Thin Lizzy, The Alarm, The Strawbs, Procol Harum, Mercury Rev, The Stranglers, Squeeze, John Hiatt, The Seahorses, Rick Wakeman, and The Boomtown Rats. For more information and availability contact Joe D'Ambrosio Joe D'Ambrosio Mgmt. Inc. 914.422.0022 or visit www.jdmanagement.com ^BACK UP^
Leading Pro Audio Co's Support PAMA's Charter Membership Drive Seventeen leading pro audio manufacturers have signed on to become charter members of the Professional Audio Manufacturers Alliance (PAMA), according to PAMA executive director, Paul Gallo. "PAMA has received a very strong vote of confidence from a number of leading companies who have agreed to become Charter Members of this vitally important alliance," Gallo said. "These companies will form the nucleus that will chart the future course of the professional audio industry." PAMA's charter members include AKG Acoustics, Altec-Lansing, Audio-Technica, Calpine, DiGiCo, Dolby Labs, Group One, Harman Pro Group, Klotz Digital, Meyer Sound, Neutrik, Sennheiser, Shure, Sony, Tascam, Telex and Yamaha. Other companies have indicated their intent to join the PAMA membership in the near future. PAMA's first business meeting is on Thursday, June 6, 2003 in Orlando, FL. The location was selected to so that many of the members, who will be in Orlando for the 2003 InfoComm Show, will be able to attend. The meeting will include an agenda that addresses a number of business and organizational issues and will include presentations by industry trade associations, the alliance's Washington, DC-based legal counsel, and an outside consultant who specializes in developing marketing intelligence for business communities. "I fully expect that we will come away from our first meeting with a list of short and long-term objectives that can be immediately acted upon," Gallo predicted. "We will also have nominated and approved our initial Board of Directors. From there, we can go forward to serve the needs of a professional audio manufacturing community that is navigating its way through a period of unprecedented challenge and change. We will work to identify and commercialize all opportunities for future industry growth and market expansion." PAMA was created by industry veteran Gallo to serve as the voice of the professional audio manufacturing community. The alliance's mission includes sponsoring an executive-level annual retreat and summit, as well as alliance business meetings tied to existing events; monitoring what's going on internally in the industry and reporting on external developments via a Web-based executive-level digest of news/trends; building connections on common issues, interfacing as a group with other associations and trade show organizations that already serve niche market segments; lobbying to enhance relations with the financial and legal communities and the public sector; serving as a conduit to other associations to provide input and support on standards, education, market intelligence and other industry initiatives. PAMA is a nonprofit trade alliance that represents pro audio companies of all sizes. Membership is available to senior executives of professional audio manufacturers. Companies affiliated with the pro audio industry can join PAMA as an Associate Member. PAMA is based in New York City and retains Washington, DC legal representation to ensure that it complies with all anti-trust policies and procedures. The alliance's by-laws and financial records are available to all for review. Companies interested in joining or learning more about PAMA and its mission can contact Paul Gallo at (212) 696-1799 or by sending email to pgallo@pamalliance.org. The alliance is located at 260 Fifth Avenue, Suite 600, New York, NY 10001. ^BACK UP^
The Record Plant Spring Recording Sessions News
We recently caught up with The Record Plant manager Amy Burr for some recent spring sessions highlights. Here's the latest: Fred Durst and Limp Bizkit moved into two of Record Plant's studios SSL-4 (SSL 9000j) and SSL-2 (SSL 4000G+) with engineer Elvis Baskette and Protools Op Dave Holdridge to write and track songs for their upcoming Interscope release. Assisting was Jun Ishizeki and JD Andrew. Mariah Carey was in SSL-3 (SSL9000j) with executive producer Randy Jackson (of American Idol fame) and engineer Dana Chappelle getting ready for an upcoming live performance from her latest Def Jam release, "Charm Bracelet". Earth, Wind & Fire worked on tracks in SSL-1 (SSL 8000 G+) with production team, Tim & Bob a.k.a. Funktwons. Andy Haller engineered with Jason Carson assisting. Britney Spears worked in SSL-4 (SSL9000j) with Swedish production team Bloodshy and Avant as well as in SSL-1 (SSL8000G+) with producer Brian Higgins and engineer Pablo Munguia. They were assisted by JD Andrew and Mike Butler. Elektra artists Blaque tracked songs in SSL-4 (SSL 9000j) with producer Missy Elliot and engineer Tyson Leeper as well as SSL-1 (SSL 8000 G+) with producer Rodney Jerkins and engineer Paul Foley. JD Andrew and Jun Ishizeki assisted. Tantric was back in SSL-2 (SSL 4080G+) with Producer/Engineer Toby Wright finishing up a new album for Maverick Records. American Idol winner, Kelly Clarkson was in SSL-3 finishing up her RCA debut album with producer Mathew Wilder and mixer Mike Shipley as well as producer Shep Crawford and engineer Anne Catalino. JD Andrew and Jun Ishizeki assisted. Black Eyed Peas have been finishing their new album upcoming for Interscope in SSL-3 (SSL9000j) with executive Producer Ron Fair, producer "Will-I-Am" and mixer Tony Maserati. Anthony Kilhoffer assists. For more information an availability contact manager Amy Burr at (323) 993-9300 or visit www.recordplant.com ^BACK UP^
TLS Management Client's Working With Top Recording Artists
TLS Management boasts a small but carefully selected roster of mixers, producers, programmers and songwriters has had another busy year with its clients working on some exciting new projects. The roster includes: Mark "Spike" Stent - credits include Madonna, No Doubt, U2, Massive Attack, Texas, Bjork, Linkin Park, Depeche Mode, Wheatus, Oasis, Spice Girls and more. Spike continued his success last year working on albums with Massive Attack, Linkin Park, Wheatus, Craig David amongst others. He started the year with a trip to LA to finish the new Madonna album "American Life" and is ready to continue the year working on some exciting new acts as well as the established ones. Fabien Waltmann - credits include Janet Jackson, Nelly Furtado, No Doubt, Smashing Pumpkins and more. Fabien had a very busy year co-producing tracks with Cathy Dennis for Will Young's debut album; producing new artist Mankato's album due for release this year as well as programming tracks for Britney Spears, Stacie Orrico and the Dandy Warhols to name a few. Goetz - credits include Faithless, Dido, Sugababes, One Giant Leap, Craig David, Pet Shop Boys, Finlay Quaye. Goetz is the latest addition to the TLS camp. He has recently been working on new tracks with Finlay Quaye as well as writing and producing tracks for new signing Bassboosa. Goetz is currently in the US mixing two projects in New York and Los Angeles before flying home to mix tracks for new Sony signing John Lacey. James Sanger - credits include Dido, Kylie Minogue, Manic Street Preachers, Santana, Faithless, Mel C, BB Mak James continues to be one of the most sought after programmers in the industry and a favourite with Mike Hedges. James had a busy year programming for various established artists such as Kylie Minogue and Manic Street Preachers and new acts Speedway and Justin and Kelly (Pop Idol) as well as additionally producing Sony's Alice Martineau and Atlantic Records Leslie Mills. For further information on any of the above clients, please contact Tracy Slater or Melanie Redmond on (44) 0207 801 1956 or visit www.tlsmanagement.com ^BACK UP^
Catching Up With Paul Verna of Maine's Vernacular Music
Vernacular has had a busy winter and spring, with a wide range of studio recording, location recording, and mixing projects. The Vernacular team, led by owner and operator Paul Verna, worked diligently to finish building the company's studio and mobile unit, which are headquartered in a lovely, rural setting in Kennebunk, Maine, complete with residential facilities for out-of-town clients. Following is a rundown of recent projects - Drew Weaver & the Alvarados made their second pilgrimage to Kennebunk to continue work on an as-yet untitled project, which will be the follow-up to "Why, Where or When" (the second of two Alvarados discs produced by Paul Verna). Besides overdubbing and mixing works in progress, Alvarados Drew Weaver (guitar, vocals) and Barry Spry (bass, vocals) cut four new songs with Maine recruits Charlie Gaylord (guitar) and John Davison (drums). The new album is planned for fall release on Black Saddle Entertainment. In mid-March, the Vernacular mobile trekked north to Ellsworth, Maine, to record three songs by up-and-coming hard rock band Alias on location in a private home. The day after cutting basic tracks, the truck moved across town to the home of lead singer P.J. Linscott, where we tracked vocals and additional guitars. Mixing is under way at Vernacular HQ. For more info contact Paul Verna at Vernacular Music 2 Taylor Lane Kennebunk, Maine 04043 studio: 207-985-9990 or visit www.vernacularmusic.com ^BACK UP^
Waxploitation Launches Film Division, Seeks Young Filmmakers
After a decade in music, Waxploitation has launched it's own film company. The Waxploitation Films division will be dedicated exclusively to producing youth culture lifestyle oriented DVD titles primarily within the extreme sports and hip hop markets. "This is the biggest move we'd made since we originally formed Waxploitation", says the company's President, Jeff Antebi. "We've waited on the sidelines and assisted other companies with their film and television productions, but after meeting with a dozen distributors this quarter, we felt the time to step in was now. We already have built-in brand recognition in those two realms and an established marketing system in place. The first films we are doing take advantage of ten years of momentum". Waxploitation is best known as a management company handling the careers of hip hop artists and producers including Tha Alkaholiks, King Britt, E-Swift, KutMasta Kurt, Tash, Madlib, Peanut Butter Wolf and Tony Touch, as well as rock and electronic producers such as Chris Vrenna, Josh Wink and Paul Leary. Waxploitation producers have worked with almost every major artist in recent years including U2, Sublime, Xzibit, Bjork, Snoop Dogg, Beastie Boys, Weezer, Busta Rhymes and Linkin Park. Waxploitation's sister company SAVREN represents top action sports athletes including Caleb Wyatt, Ryan Capes, Tyler King and Jeremy Carter. Additionally, Waxploitation's video game marketing and music production company KABUKI DIGITAL has worked with most of the top video game companies including EA, THQ, Infogrames, Eidos and LucasArts on a variety of projects including WWF and the highly anticipated Enter The Matrix. The Waxploitation Films division, headed up by David Leslie, formerly of Vivendi Interactive, will focus primarily on the two lifestyle niches of hip hop and action sports. "It's an area we have the most experience in," says Leslie. "What makes this a dynamic effort is our access to the underground, endemic audience. If it's part of the next generation of entertainment, we are basically already there." Already in production are titles being co-produced with Carter Gibbs (founder of Grail Films and a legendary figure in action sports), E-Swift (hip hop icon and founder of Tha Alkaholiks and Likwit Crew), as well as with a host of young film makers that Waxploitation is intent upon developing as part of its long term plan. The first titles are expected to ship Q4 2003. For additional information, contact: Jo Ardalan at (213) 489-7755 or visit www.waxploitation.com ^BACK UP^
Gunton Producer Management Roster Activity
We recently caught up with producer manager Gary Gunton for the latest activity from his A List roster. Hightlights include: Dave Jerden has just completed "MxPx" for Ron Fair at A&M Records; Mark Endert has just completed "Gavin Degraw" for Clive Davis/James Diener at j Records; Joe Zook has been mixing "Wilshire" for Marshall Altman/Tim Devine at Columbia Records; Zook has also been recording and mixing "Jupiter Sunrise" with Marshall Altman producing, for an independant release; Bryan Carlstrom has been writing with and producing former "Stabbing Westward" frontman, Christopher Hall (first round of demo's going out now); Phil Shenale will be producing a new Willy Devillealbum, as well as doing string arrangements for a new Adam Cohen release. Phil did a string arrangement and added some keyboard work and Steve Duda added programming and keyboards on the new "MxPx" record for Dave Jerden. For more information and availability contact Gary Gunton at 818 766-8165 ^BACK UP^
Checking In With Richie Clark of Manhattan Center Studios
We recently caught up with Manhattan Center Studios Manager Richie Clark for recent studio activity at this famed NYC facility. Session highlights include several Jimmy Douglass mix sessions including "A Thousand Different Parts" the new song by Melanie Blatt (formerly of All Saints). Jimmy also was in mixing "Step Back", the new single by Interscope recording artist Mya. Written by Missy Elliot, the track was produced by Timbaland and the vocal was produced by Ron Fair. Lava Records artist Toby Lightman was in mixing a record produced by Peter Zizzo. Jimmy Douglass was bacl in mixing Brandy's highly anticipated new album for Atlantic Records. The album was produced by Timbaland. Manhattan Center Studios is home for another much talked about project for 16 year "young" singer Alana Allen. Alana, an Indiana native singer/dancer/actress has a 7 plus octave vocal range and is compared to songbirds like Whitney Houston and Mariah. Alana appears in a Movie called 'Camp' which is to be released this summer nationwide. Camp debued at this years Sundance festival and is a musical movie much like a current version of fame. For more information contact Richie Clarke or visit www.manhattancenterstudios.com. ^BACK UP^
RPM Direct Now Accepting Submissions For Unsigned Volume 3
RPM Direct is back with Volume 3 in the RPM Direct Presents: Unsigned compilation series! We are now accepting submissions so if you are an artist or an artist manager, attorney or producer send us your music and we will screen it for Volume 3. If your track makes the cut, it will go on an exclusive CD that will be distributed directly to over 2,000 top creative execs - talk about exposure with an impact! For the full scoop, rules & regs, frequently asked questions, submission form and all, click here. If you have any questions, please send email to Submissions@rpmdirect.com
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Checking In With Michael Mavrolas of Genuine Representation We recently caught up with Michael Mavrolas of Genuine Representation for the latest news about his incredibly busy roster of top producers, mixers and songwriters: Manuel Seal Jr. is currently in the studio working on the forthcoming Usher/Arista album. Manuel also produced "Girl Can't Buy It" on the recently released Tyrese album for J Records. Producer Gregg Pagani currently producing the forthcoming LeAnn Rimes Christmas album for Curb. Producers/Writers Damon Sharpe and Mark Feist are enjoying the Platinum success of Destiny's Child member Kelly Rowland's solo Lp effort with their forthcoming third single "Everytime You Walk Out That Door": They're currently producing four tracks for UK act Pigeon & Cream for Instant Karma UK and forthcoming J Records recording artist Mario. Producer Pro-Jay recently wrapped up production on the entire forthcoming Thicke album for Nu America/Interscope. His single "Alone" is featured in a current national Sprite commercial. Producer Brion James scores with a song "Why, When How" on the current Asian International Justin Timberlake Jive Lp. Brion also wrapping production on the forthcoming debut album for Virgin recording artist Jay-1. Producer Claudio Cueni is enjoying the success of the multi Platinum lps from 2PAC and Nas as both albums feature his hit single "Thug Mansion". Producer Chuck Giscombe recently produced the theme song from forthcoming Nickolodean series "Evergirls". Writer Lindy Robbins is enjoying the success of the current multi Platinum Lp from Faith Hill Warner Bros album with her penned song "Find My Way Back To You". For more information contact Michael Mavrolas at 818 505 6870 ^BACK UP^
The English Session Orchestra Is Top Source For UK Film/TV Work The English Session Orchestra is an amalgamation of the finest musicians the UK country has to offer. The musicians include principal positions in orchestras such as The Philharmonia, Royal Ballet Sinfonia & London Soloists Chamber Orchestra as well as principal chairs in West-End shows including My Fair Lady, Chitty Chitty Bang Bang, Whistle Down the Wind, Les Miserables, Phantom of the Opera & West Side Story. The unifying feature of The English Session Orchestra however, is the wealth and diversity of its combined recording session experience; individual musicians in the orchestra have played on film scores including Hannibal, Bridget Jones Diary, Lost Souls & Hunchback II, whilst incidental music for television would reveal titles such as Tomorrow's World, White Teeth, League of Gentlemen & Where the Heart Is. Television advertisements involving ESO musicians have included Coca-Cola, BBC, Discovery Channel, the Cadburys Coronation Street jingles, Nivea Bathcare & Pedigree Chum. On the commercial classical scene, artists ESO musicians have worked with include Sir Cliff Richard, Charlotte Church & the Opera Babes. On the pop scene, the list expands to include Madonna, Paul Weller, George Michael, Spice Girls, Westlife, Suede, Divine Comedy, Incognito, Reef, Primal Scream, Naomi Striemer & Groove Armada. Some of the more eclectic projects ESO musicians have been involved in include collaborations with George Benson, Courtney Pine, Manu Dibango, Elbow, Ed Harcourt and William Orbit. The English Session Orchestra are proud to be the exclusive contractors for the symphony orchestra at the Seychelles International Festival of Classical Music 2004 and they are the featured orchestra on Aled Jones' latest album 'Aled' which rocketed to No. 1 in the classical music charts the week it was released. The ESO have also just appeared in Jennifer Love-Hewitt's latest feature film 'If Only' due for release October 2003. For more information contact Dominick Kelly at t: +(44) (0)20 8251 9978 f: +44 (0)7701 935093 ^BACK UP^
Are You Getting The Bandit A&R Newsletter? You Should.
For acts, songwriters and producers working for success in the worldwide music business, regular copies of the Bandit A&R Newsletter in their mailbox may indeed seriously increases their chances of finding a deal. Bandit is published on the 1st working day of each month and brings news about Record Co's, Music Publishers, Artist Managers etc in the UK, USA and around the world, that are actively looking for new bands, artists, songs and master recordings. Each item is either requested by the company, or individually researched by speaking to the contact personally, immediately prior to publication, to ensure the highest possible accuracy. In JAN 2003 Bandit completed 15 years continuos publication and in that time helped many people into the music business. Bandit comes in two editions. The UK/US/WW edition contains 24 features, mainly UK companies, many looking for submissions from the rest of the world, but there are also at least four US companies and significant international content to reflect the increasingly global nature of the Music Business. Check out their site and request a free sample copy or try a subscription at www.banditnewsletter.com For further information e-mail the Editor, John Waterman at editor@banditnewsletter.com ^BACK U P^
Moonlight Mastering Masters The Cribb
After completing tracks on the Cribb, producer/mixer/engineer Rogers Masson relied on Moonlight's multi-platinum mastering engineer Nancy Matter. Masson, who also just completed 5.1 mixes for Marilyn Manson, brags, "Nancy's absolutely fantastic. Music is a human interaction both emotionally and personally and those are just a few of the many elements she brings. I come here because of her, she's got a great vibe and she's a talented mastering engineer." Adding to the excitement at Moonlight was the presence of producer Paul Rogers who has been following the Cribb and Masson, making them the focus of a new pilot for VH1. The VH1 show details private residences that have been converted into recording environments. When Rogers heard the band and Masson was mastering in a facility, which had been a private resident converted into a professional mastering studio, they couldn't miss the opportunity to turn the cameras on Matter. Although Masson initially tracked the Cribb on a 24-track Studer A820 he transferred everything over to Pro Tools HD 24-bit/96k and brought the final mixes to Matter on a hard drive. "I used the Alesis Masterlink 24/96 hard disk to master the Cribb," explains Matter. "We then ran everything through the Lucid SRC9624 and the Lucid Converters into the Sonic HD. I also relied heavily on the Massenburg Design Works EQ; it's so transparent in sonic quality that I can notch the tightest of frequencies to get the maximum depth out of whatever part of the program I'm applying it to. For instance, I achieved (thanks to Rogers great mixes) even more definition between the kick drum and bass guitar and was able to fine-tune the toms within the whole sonic picture." Matter also utilized the TC 6000 as well as Manley's Massive Passive and Variable MU, which gave an enhanced analog feel to the whole record. Matter concludes, "All of this produced an amazing listening experience with great songs. It was an honor to work with such an amazing group of talented people." Originally established in 1998 by mastering engineer and owner Nancy Matter, Moonlight Mastering has grown to be a leader in the field of Digital Audio Mastering providing sequencing, compilations, editing and mastering services in stereo and 5.1 formats for the professional audio industry. Contact Nancy Matter Moonlight Mastering Tel: (818) 841-2987 www.moonlightmastering.com ^BACK U P^
Independent Producer Updates and Announcements
Independent producer/musician/engineer Ethan Allen, formerly head engineer
at Kingsway, Daniel Lanois' studio in New Orleans, has recently moved to Los
Angeles. Ethan has just finished production for the band Wan Santo for
Enjoy/Universal, and also mixed the new released, self-titled album by
Throwing Muses for 4AD, mastered at Abbey Road. Ethan can be contacted at
(323) 644-1049 or spicee7@earthlink.net.
Matt Bayles has been touring the US with his band, Minus The Bear. They are playing the Sasquatch Festival at the Gorge in George, Washington with Coldplay, the Flaming Lips, Jurassic Five and more, as well as hitting Japan in July. As far work, Bayles just finished producing, engineering and mixing new Seattle acts Roy for Initial Records and These Arms Are Snakes for Jade Tree. He is currently doing the same for New Jersey's Burnt By The Sun for Relapse Records, followed by From Ashes Rise for Jade Tree, mixing Radiation 4 for Century Media and mixing Antifreeze for Kung Fu Records. For more info contact Matt Bayles
Terrance Sawchuk recently co-wrote 2 songs for Decca/Universal artist Matt Dusk, and also produced and engineered the vocals for one track. Sawchuk also co-arranged one song for the Idle Sons debut album for Atlantic. Later this month, May Terrance I will be launching his new website/production company, www.headtraffic.com with his first signing is an emo-rock band out of Buffalo called Blankface. They are managed by Coalition Management (Our Lady Peace, Simple Plan) and The Agency in Canada. After just starting to shop the demo, it appears there is already some label interest. For more information get in touch with Terrance Sawchuk ^BACK U P^Missing Out? Check Out The New RPM Direct Newsletter Archive Feel like you're missing out on what we do? Then visit the RPM Direct Newsletter Archive to catch up on reading you may have missed. If you'd like to browse our producer and recording studio directories but you aren't a subscriber, contact contact Jerimaya Grabher to request a password for access. ^BACK TO TOP^
Nick Addison
Tony Alvarez
Greg Archilla
Rod Argent
Mark Arnell
Chris Arvan
Rob “Fonksta” Bacon
Andy Baker
Charlie Brocco
Warren Bruleigh
Ronnie Champagne
Phil Chill
Tracy Chisholm
Rob Christiansen
Warren Croyle
Tony Alvarez
Greg Archilla
Rod Argent
Mark Arnell
Chris Arvan
Rob “Fonksta” Bacon
Andy Baker
Charlie Brocco
Warren Bruleigh
Ronnie Champagne
Phil Chill
Tracy Chisholm
Rob Christiansen
Warren Croyle
Jamie Cullum
Lee De Carlo
Mike Denneen
Anjali Dutt
Guy Eckstine
Phil Ek
Tim Friese-Greene
Jim Goodwin
John Gosling
Kelly Gray
Roger Greenawalt
Tom Grimley
Ray Hedges
David Hemming
Dave Hillis
Stephen Hilton
Alain Johannes
Bob St. John
Paul Kimble
John Lee
Andres Levin
Paul Logus
Ken Lomas
Eric "E" Miller
Richard T. Norris
Eddy Offord
John Pace
Mike Peden
Jon Plum
Tim Russell
Micajah Ryan
Shad Scott
Dave Swanson
Paul Taylor
Eric "E.T." Thorngren
Haig V. (Vartzbedian)
Peter Van Hooke
Marc Waterman
Andrew Williams
Sam Williams
Aaron Zigman
Peter Zizzo
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