RPM Direct Newsletter - July 11, 2002- Record Producer and Engineer & Recording Studio News

The RPM Direct Newsletter

July 11 , 2002

Hello loyal readers! Are you having a good summer? The surf is up in Manhattan Beach and we're having a hard time keeping the RPM Direct staffers out of the water long enough to get some work done! Good things are brewing here as always. The launch of RPM's long awaited recording studio directory is just around the corner - stay tuned for the official launch date - it's coming up. And we are once again thrilled with the level of response to our calls for music submission for Volume 2 in our unsigned CD series. We're hearing some really great material coming in so if you have music for us to review, we encourage you to send it now - we want to hear what you are working on! And who knows, you or your band may even win some fabulous prizes while you're at it! Are you new to this side of RPM Direct? Click here for the basic info, about our little contest and how to get your own copy of Volume 1. All press releases and interesting industry news should be sent to News@rpmdirect.com. Not an RPM Direct Newsletter subscriber? Send us an Email and we'll add you to the list. Stay cool.

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U2 Unable To Prevent Demolition of Famed Hanover Studios U2, its management and thousands of petitioners have lost their bid to prevent the demolition of Dublin's famed Hanover Studios. Ireland's Planning Board has been given the go-ahead for a redevelopment project that requires the destruction of the studio. Located on Hanover Quay in Dublin, Hanover Studios was most recently used by U2 to record their Grammy-winning album, "All That You Can't Leave Behind". U2's manager, Mr Paul McGuinness, has expressed his unhappiness with the decision. "We moved into this area before it was fashionable or profitable, and U2 being there has affected the perception of the area. It's also a great place for the band to work, and we have no wish to move," he said. "I think it's outrageous that the DDDA (Dublin Dockland Development Authority) should sweep in with a compulsory purchase order at this stage without taking account of our long-standing presence in the area," he added. Mr McGuinness said it was equally outrageous of the DDDA to describe the studio as a shed when it had not viewed the interior of the building. "This is a fully equipped state-of-the-art recording studio and also a rather interesting modern building. It does not look like much from the outside but the interior was designed by architect Felim Dunne," he said. "We bought it in 1992-93, rebuilt it and have been using it as U2's workplace and recording studio since. We sometimes use Windmill Lane if we need more capacity, but the primary recording place for all U2's work since 1994 has been this studio," he added. Also affected by the CPO and in support of U2's petition, is businessman Harry Crosbie who owns an adjoining warehouse. "I feel it's stupid that a band of historic proportions like U2 should be treated this way given what they have done for this country. To remove their studios and put in more of that cursed red brick along the quays is outlandishly stupid." More than 8,000 U2 fans had signed an online petition to preserve the studio. For more information please visit www.saveu2studio.com.

Worlds End Clients Turn Up Heat On An Already Hot Summer Worlds End, a producer management company with offices in Los Angeles, New York and Toronto, is having a hot Summer. Check out some of these blazing highlights from a selection of the Worlds End roster: THE MATRIX are on fire with Avril Lavigne. They co-wrote and produced the top10 single "Complicated" and five tracks on her Platinum album "Let Go". They have also been in Miami writing with and producing Ricky Martin for his new album and have also written and produced a track with Nick Carter. DON WAS has been in Paris producing tracks with The Rolling Stones for their new Greatest Hits compilation. DAVE SARDY has produced Dragpipe and Campfire Girls for Interscope, he's just mixed the new Supergrass album and is now producing The Revolution Smile for Fred Durst's Flawless Records. TIM PALMER has been mixing Porcupine Tree for Lava, Dredg for Interscope, Greenwheel and Autopilot Off for Island Def Jam. DANNY SABER is producing Darren Berry for UK label 2M Recordings. MICHAEL PATTERSON has been mixing Ill Kid for Columbia. CARL GLANVILLE is in Dublin engineering new tracks with U2. HUGH PADGHAM produced the new Tragically Hip album and is now producing Paula Cole. STEVE LILLYWHITE has just produced the new Counting Crows album. RICH TRAVALI mixed the # 1 single and album Nellyville by Nelly. NICK LAUNAY just completed the new American Hi Fi album. MALCOLM BURN is producing Wood for Columbia NYC. Hot, London based producer LENNY FRANCHI has produced The Vinyls for Instant Karma, Goldrush for Virgin & the Crescent for Hut. STEPHEN LIRONI has just produced a track with BBMak. MARK HOWARD has produced Bastard Sons of Johnny Cash for Ultimatum. CHRIS GOSS is producing ex-Hole member, Melissa Auf Der Maur. PAUL NORTHFIELD produced the new Rush album. NICK BROPHY is rapidly becoming the programmer of choice has just been programming for The Rolling Stones, Hootie & the Blowfish, Magni-Fi and Off By One. LARRY KLEIN produced a new Joni Mitchell album. ED RASO has been mixing J-LO and P-Diddy. JIMMY DOUGLASS has been mixing Christina Aguilera. President Sandy Roberton runs the company from LA , Paul Adams looks after the NYC office and Alex Andronache runs the Toronto office. For more information contact Sandy Roberton at or visit www.worldsend.com ^BACK UP^

Apple Acquires Emagic, Discontinues All Windows Versions Apple announced last week that it has acquired Emagic, a leading provider of professional software solutions for computer based music production. Emagic's most popular product, Logic, is actively used by over 200,000 musicians around the world. Emagic will operate as a wholly owned division of Apple. "Emagic has set the industry standard for professional music creation and production," said Sina Tamaddon, Apple's senior vice president of Applications. "We're very excited to have the Emagic team join Apple and create more amazing products for musicians." Macintosh-based products account for over 65 percent of Emagic's current revenues. Emagic's Windows-based product offerings will be discontinued on September 30, 2002. Apple ignited the personal computer revolution in the 1970s with the Apple II and reinvented the personal computer in the 1980s with the Macintosh. Apple is committed to bringing the best personal computing experience to students, educators, creative professionals and consumers around the world through its innovative hardware, software and Internet offerings. For more information, please visit: www.emagic.de ^BACK UP^

Atlantis Music Conference Is Back For 5th Straight Year
Founded in 1998, the Atlanta, Georgia based Atlantis Music Conference is back for a fifth consecutive year. This year's conference will be held July 31-August 3 at their new host hotel, the Sheraton Downtown Atlanta. The conference staff aims to satisfy your musical appetite with innovative educational panels, a job fair, an exhibit area, nightly showcases for new talent and many industry networking parties. Panels are designed to explore issues currently facing the music industry will include topics such as: "It's A Bad Time in the Music Industry…and other ways to say we won't sign you," " Flow Charting the Music Industry Model", "Road Hard and Put Up Wet…Why the knife and gun circuit is the wild wild west of touring", "How do I Get an Endorsement or Sponsorship?" and more. Also, included again this year will be several panels with a focus on the urban music industry including "Critical Beat Down: The New Millennium Beat Masters," "I'm Every Woman: Independent Women doing it for themselves," "An Evening of Soul Inspiration," to name a few. Featured at this year's conference will be a keynote address by Jermaine Dupri and Michael Mauldin of Atlanta-based So So Def Recordings. Also, The Atlanta Chapter of the Recording Academy will present "One On One with Mathew Knowles." Knowles is the manager of award-winning trio Destiny's Child and the CEO of Music World Entertainment. New to the Atlantis Music Conference this year is a music industry job fair and an exhibit area. The job fair will feature human resource representatives from various companies in the music and entertainment businesses on hand to provide information about their companies and the services they provide within the music industry. This year's Atlantis Music Conference 2002 kicks off with the 99X Atlanta Local Music Award's (ALMA's) on Wednesday, July 31. Artists showcasing this year include: Aerial, Beanpole, Cody ChesnuTT, CocombinationLOCK, Dan Hannon, Debra Killings, Ingram Hill, Jag Star, Jawz of Life, Jennifer Nettles, Michelle Malone, Six Against Seven, Smugface, The Veins, The Yard, Uncrowned and many more. For a complete Atlantis showcase schedule, artist line-up or registration form visit www.atlantismusic.com. For more information contact: Atlantis Music Conference at 770-499-8600 ^BACK UP^

Producer Rob Chiarelli Works Top Acts On SSL XL 9000 K
Producer/mixer Rob Chiarelli has been turning out powerhouse projects on the new Solid State Logic XL 9000 K Series SuperAnalogue console recently installed in Studio A at the newly renovated Larrabee West in West Hollywood, CA. The maiden voyage of the console has included such projects as Will Smith's solo album and title song for the film "Men In Black II," K-Ci & JoJo, LeAnn Rimes and international recording artist Laura Pausini. The XL's superior sound quality coupled with fast performance impressed Chiarelli. "I have been working on SSL consoles for most of my career," says Chiarelli. "When Kevin Mills, the owner of Larrabee told me about the XL, I jumped on the chance to work on it. The console's design, sound quality and speed is nothing short of inspiring." For the past two months, Chiarelli has continuously booked Studio A getting to know every facet of the 72-input console, especially the automation. "When you are working on a project, it is very important to not let technology get in the way of creativity." explains Chiarelli. "The XL allows me to save mix changes really quickly, so when the artist wants something, I can simply save where I am and not blow the artistic flow. For example, when Will or LeAnn want to try a few things out, I just hit save and it doesn't interrupt the session. The XL is awesome." One very valuable feature of the XL is its ability to accept data from SSL's very popular, industry standard SL 9000 J Series. This came in very handy while working on the Will Smith project, as the original tracks were recorded on the J Series. "We simply put the J Series MO into the XL's drive and it converted," says Chiarelli. "Everything was spot on in recalling the J Series data. This saved us several hours, and in some cases days because we didn't have to go back and re-program the EQs and automation data, etc." In the final analysis, it's the sound of the console that is the key, and for Chiarelli, the sound is sterling. "With the XL, I don't have to do as much to each signal to get a great sound," states Chiarelli. "This means I can maintain a very pure signal path and that makes the music sparkle. The console sounds incredible. I also love the fact that I can have Pro Tools in the center section of the console. Everything on this console makes sense. The dynamics section is punchy. The EQs are great. It's laid out perfectly, easy to operate and it is designed to handle 5.1 surround situations." For more information on Rob Chiarelli, please contact Allyson Ress or visit www.finalmix.com. For further information on Larrabee Studios, contact studio manager Holly Bavier at 310-657-6750. Or visit www.solid-state-logic.com. ^BACK UP^

Paul Schwartz Steps Into Producer Role For Dublin Duo Paul Schwartz, who as an artist has sold nearly 700,000 records worldwide, all of which he arranged and produced, has stepped outside the self production circle. Schwartz, who's most recent release on RCA Victor/Windham Hill Earthbound just entered the Billboard New Age charts at #19, was tapped by BMG UK to produce and arrange the debut recording of Shimoon, a Dublin based duo described as Enya times two. Shimoon is Ruth Cahill, 21, from Dublin, who at the tender age of 15, was invited to sing for Princess Diana at the Royal Tournament in Earls Court and Emily Aylmer, 23, an award winning singer who has trained at the Dublin College of Music since childhood. Schwartz took time out from Shimoon preparations to co-write and associate produce a track with Carlos Santana and producer KC Porter. Scheduled for the next Santana recording, the piece entitled "(Curacion) Sunshine On Water" is based on Paul's song "Miserere" from his CD State of Grace, the number eleven New Age recording of 2001 according to Billboard. Schwartz is also ready for Christmas '02. Paul's arrangement, production and performance of "Lo, How A Rose", a traditional Christmas carol from the 16th century, will be featured on A Windham Hill Christmas. Other artists on the compilation include Jim Brickman, Liz Story and Snuffy Walden. For more information contact manager Mike Gormley ^BACK UP^

Summer News From Santa Monica's 4th Street Recording
After thirteen years in business, 4th Street Recording finally has a lounge
worthy of its clientele. The new 2-story space features a downstairs seating
area with kitchen facilities, DSL, and a fooseball table, and a loft
featuring a big-screen TV with Playstation 2. Also added was a new Protools HD3 system and an editing room. The first project in residence in the new facilities was producer Jim Wirt recording overdubs with MCA's "piano core" band Something Corporate, whose song "iF U C Jordan" from last summer's EP (done entirely at 4th Street) was enjoying airplay on LA's KROQ and other radio stations nationwide. The band is supporting the album, "Leaving Through the Window," with a slot on the Warped Tour, and the first single, "I Woke Up In A Car," is due out in mid-July. Nerf Herder bassist Justin Fisher brought in Psoma, a band he fronts, for a self-produced album called "Fear the Penguin," with Darian Rundell at the board. Kelly Osbourne recorded "Papa Don't Preach" with Dave Holdridge and Mike and Jose from Incubus. P.J. Smith produced a demo for attorney Eric Custer's act Gliss; Donat Kazarinoff produced demos for Long Walk Home; and Jim Wirt produced Darkroom, another act from Alien Ant Farm manager John Boyle. Currently wrapping up two months in the studio is Elektra act Bemus, who recorded basic tracks as well as overdubs at 4th Street. Jim Wirt and P.J. Smith are producing and engineering and C.J. Eiriksson is handling the Protools. For more information contact Kathleen Robinson, manager/owner 4th Street Recording 310-395-9114 or visit www.4thstreetrecording.com ^BACKUP^

Bob Rosa and The ICON Music Group Mix It Up In Miami Engineer/Producer Bob Rosa has been in Bogart Recording Studios in Miami with various producers to mix tracks for the upcoming Chayanne album. Rosa has recently completed mixing and providing additional production on Paulina Rubio's LP for Universal Records along with the radio/7" mix of the current single "Don't Say Goodbye", which is currently in heavy radio rotation. Bob was also working at Bogart with Producer C ROD, working on mixes for several Sony International artists including Andreas DeLeon and Anna Christina, and mixing demos for pop singer Ethan Edwards, just signed to Island Def Jam. Bob also tracked and mixed several songs with Producer Desmond Child in connection with the forthcoming LeAnn Rimes LP. Recently signed to ICON is Paul Nicholas; Rosa is currently producing Nicholas and is readying to shop a deal for the budding pop singer. They have teamed up with songstress Jodi Marr and Producer C ROD on several new tracks. ICON has also signed male solo artist STAR to a production deal. In partnership with ICON, the production team Vibe Patrol, consisting of Bob Rosa and Gary Corbett, has produced three songs for drum 'n bass artist Kevens. Kevens is launching a world-wide tour this summer with dates in Japan, London and colleges around the U.S. The ICON Music Group has assembled a collection of talented producers, remixers and songwriters who have come to us from around the US and include all genres of music. For more information, please contact Gerri Vidal-Rosa, Senior Director, The ICON Music Group, 305-458-3443 ^ BACK UP^

The Mastering Lab & Sadie Take Classic Jazz Releases SACD
The Mastering Lab and its Owner and President, mastering engineer Doug Sax, are employing one of the first of SADiE's newest mastering and digital editing systems, designed specifically for Sony's acclaimed Super Audio CD high-resolution digital audio disc format. The SADiE Super Audio CD Mastering Editor is in the final stages of development, and being used daily in a beta-test environment at The Mastering Lab. At The Mastering Lab, the SADiE Super Audio CD workstation is being utilized on a series of classic jazz recordings, including performances by John Coltrane, Bill Evans and Art Pepper. These will become the foundation for an ongoing series for collectors, released on the so-called hybrid, dual-layer Super Audio CD disc, which offers both Super Audio CD and standard CD compatibility on the same disc. "These are great-sounding recordings," observes Sax. "They were recorded on tape using tube electronics, and we're playing them back the same way to retain the original feel and sound of the recordings. Once we transfer them to the SADiE system, we can do all of the usual functions we do on our other SADiE workstations for other mastering projects. The beta process has been interesting, though, helping SADiE further refine the system." Robert Hadley, Mastering Engineer at The Mastering Lab, has been working directly with the SADiE Super Audio CD Mastering Editor on a day to day basis. He says the platform's performance has been every bit as good as that of other SADiE systems he uses. "This new SADiE system accepts the 1-bit DSD stream," Hadley explains. "Once we have the information into the workstation, then it's a transparent situation in terms of using it to do things like editing and sequencing. It's good to be a part of this, because I love the way the SADiE workstations perform. This new SADiE system will be on the leading edge of this new high-resolution audio format." The Mastering Lab, which has been in operation for 33 years, installed a SADiE ARTEMiS workstation last year in Doug Sax's personal mastering suite. For further information, contact The Mastering Lab at (323) 466-8589. Based in Nashville, Tennessee, SADiE, Inc. is a wholly owned subsidiary of SADiE U.K., designer of the critically-acclaimed SADiE Disk Editor. For further information, please call 615-327-1140 or visit the Web site at www.sadie.com. ^BACK UP^

Global Network Of DTS Dealers/Distributors Grows
DTS (Digital Theater Systems, Inc.), the digital audio technology company dedicated to delivering the ultimate entertainment experience, has further expanded its professional audio dealer network to include India, Brazil, Scandinavia, Hungary, Poland and the Czech Republic. Serving DVD authoring and mastering facilities as well as high-end music recording studios, the dealers distribute DTS’ CAE-4 encoder / CAD-4 decoder units. These distributors will also serve the broadcast community upon the availability of the next generation of DTS encoder/decoders. Increasing the total number in DTS’ worldwide network to 27 dealers representing 25 countries, the following dealers are now selling DTS pro audio products: Real Image Media Technologies (India), Visom (Brazil), Tranzicom (Norway, Sweden), Sarkapro (Finland), AGM (Hungary, Poland, Czech Republic). "The rapid expansion of our dealer network indicates growing demand for DTS-encoded products throughout the world,” said Jon Kirchner, President and CEO of DTS. “This network is key to educating the pro audio community about DTS, and we remain committed to continuing to identify and recruit the best distributors for our global dealer program." DTS (Digital Theater Systems, Inc.) is a digital technology company dedicated to delivering the ultimate entertainment experience. A pioneer in multi-channel audio, DTS is featured on more than 20,000 motion picture screens worldwide; in home theater, car audio, PC and game console products, as well as 5.1 Music, DVD-Video, DVD-Audio and DVD-ROM software. DTS decoders are in every major brand of 5.1-channel surround processors, and in more than 16 million consumer electronics products. Founded in 1993, the company is headquartered in Agoura Hills, California and has offices in the United Kingdom and Japan. For further information, please visit www.dtsonline.com.
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Manchester's In The City Fest Returns September 13-17
IN THE CITY, the UK's annual conference is moving this year. It's moving to Salford, just across the Irwell River from founder city Manchester, to take advantage of the great new five star Hotel, the Lowry and it's state of the art convention facilities. And it's moving its goalposts, making the entertainment of the daytime sessions tougher and more responsive to the needs of the industry that In The City serves. The dates are the 13th - 17th September, getting under way with registration and networking on the Friday evening, recognizing the pressures of an industry that needs it's weekdays and the requirement for a major opening party on the Friday night. The theme of ITC for 2002 will be "The State of the Nation" - Are we an industry in crisis? In The City is the most vital moment in the music calendar to debate and plan the way forward. ITC intends to publish the core statements and relevant conclusions in a document entitled "State of the Nation" to be released immediately after September's event. In The City Live will take over the streets of Manchester and Salford. 5 nights, fifty venues, 500 artists, DJ's and Bands. In The City Live is quite simply the biggest urban music festival in Europe and for 2002 will simply get bigger and better, for the industry and the public. In The City Unsigned will continue to provide the only true showcase in the UK for the brightest young bands, taking over a cluster of venues all within 500 yards of the conference HQ, the superb new 5 star Lowry Hotel. ITC Unsigned's reputation which takes us from Oasis to Coldplay is unparalleled. On Saturday, the Dance Summit, now in it's third year, will take the 10th anniversary of Cream as a starting point for checking the heart-beat of the dance-sector. And the dance boys will provide ITC with it's opening party on the Friday night. Interactive City, now in it's fourth year, and one of the few intelligent survivors of the dot-com meltdown, will take place alongside In The City this year, on Monday and Tuesday, the 16th and 17th September. ITCFM, their designated radio station will broadcast for a full two weeks around the conference and festival, in particular featuring the music and the opinions of ITC's new bands and artists. If you love music and care about your industry, the seminar rooms, the venues and the bar of In The City are the only places to be in September, 2002. For further information, please visit www.inthecity.co.uk ^BACK UP^

RPM Direct Adds Contest To Volume 2 in Unsigned CD Series New to Volume 2 - all music submitted for Volume 2 of the RPM Direct Presents: Unsigned CD series will also count as an entry into RPM Direct's "Submit To Win" contest! Prizes include a CD replication package from Crest National in Hollywood, CA, high-end musical instruments, home recording equipment, subscriptions to Mix and Remix magazines and other great prizes. Stay tuned to your favorite RPM Direct Newsletter for more information on contest prize details and supporting sponsors. For more details about the RPM Direct Unsigned compilation series and the "Submit To Win" contest, please visit our Rules & Regulations page. Submissions are now being accepted - send your music today! ^BACK UP^

Checking In With Nancy Falco at Philadelphia's Indre Studios Recently in Philadelphia, PA's Indre Studios for a Y100 broadcast was Roadrunner Records recording artist, Jerry Cantrell. With a full acoustic band, this former Alice In Chains guitar player performed songs from his latest release Degradation Trip and even performed AIC's hit "Got me Wrong". This session was recorded and mixed by Indre's Mike Richelle. Producer Chris DiBeneditto (G Love) was back in again this month with Starlean, the Philadelphia-based rock band, to continue working on their first release. Matthew Milner and Pete Girgenti assisted these sessions. Legendary songwriter and producer Phil Hurtt continued recording and mixing the upcoming release for Sweet Spirit Records with gospel artist Ava L. Williams. Indre's Michael Richelle with Gene Leone manned the console. Producer Mike Villers was in with Elliot Levin & Friends, recording a track for his upcoming, Philadelphia-based tribute to Captain Beefheart, slated for a fall release. On lead vocals was Nou of the Black Lily scene's 3 7000 9. This track was recorded by Pete Girgenti. For more information contact Nancy Falkow, Indre Studios Manager at (215) 463-3000 or visit them on the web at www.indrestudios.com ^BACK UP^

Subscribe To RPMDirect.com With Your Credit Card And Save! Subscribe today, bill your credit card and save $135.00 on the annual $495 subscription price! A Subscription To RPMDirect.com Gives You: Access to updated discographies for nearly 2,500 top US, Canadian, UK and Australian record producers, engineers, mixers, remixers and programmers; Access to over 1,000 confidential producer/engineer management and production company contacts including: contact name(s), address, phone/fax, direct email, website URL, full company client roster; Worldwide producer locator service; Portability - research producer info from anywhere you can access the Web; And coming soon, subscribers will have access to RPM Direct's forthcoming Recording Studio Directory. If you would like to borrow a guest password to check out the site, send email to Jerimaya Grabher to request one. Or click the button below to sign up today. ^BACK UP^

Feel Like You're Missing Out? Visit The Newsletter Archive Feel like you're missing out on what we do? Then visit the RPM Direct Newsletter Archive to catch up on reading you may have missed. If you'd like to browse our producer directory but you aren't a subscriber, contact ontact Jerimaya Grabher to request a password for access. ^BACK TO TOP^

Help Us Find These "Missing" Producers

Due to constantly changing management rosters and a few of unexplained "disappearances", we have lost touch with the folks on the list below. If you know where they are or are able to reach them, please ask them to get in touch with RPM Direct. We want to update their listing in our database so that people who can hire or collaborate with them know how to get in touch. We are currently trying to reconnect with:

Nick Addison
Michael Andrews (Elgin Park)
Mark Arnell
Chris Arvan
Rob B./Da Loops
Kevin Bacon & Jonathan Quarmby
Rob "Fonksta" Bacon
Andy Baker
Ball & Vauk
Chad Bamford
Martin Bisi
Boilerhouse Boys
Charlie Brocco
Bruce Brody
Bug City
Bonzai Jim Caruso
David Castell
CC Groove
Ronnie Champagne
Phil Chill
Rob Christiansen
Jessica Corcoran
Jason Coreare
Warren Croyle
Jamie Cullum
Lee Curle
Andre Cymone
Da Lata

Darkman
Lee De Carlo
Dave Dederer
Peter Denenberg
Steven Dubin
Anjali Dutt
Phil Ek
EZI-CUT
Steve Fisk
Tom Frederikse
Eric E. Garten
Eric O'Brien Garten
Global Communications
Dito Godwin
Jim Goodwin
John Gosling
Richard Gottehrer
Lindsay Gravina
Roger Greenawalt
Tom Grimley
Mark Haley
Ray Hedges
David Hemming
Dave Hillis
Stephen Hilton
Mike Hoffman
Dave Hummel
Stephen Hussey
Loren Israel

Ivan Ivan
Bob St. John
Vincent Jones
Juno Reactor
Ben Kape
Neill King
Rob Kirwan
Ko-Jo
John Lee
Ken Lomas
Reggie Lucas
M Beat
Jamie Maher
Ollie Marland
Ray Martin
Glen Matlock
John McEntire
Eric "E" Miller
Gustavo Moratorio
Roli Mosimann
Richard T. Norris
Eddy Offord
Doug Olson (Mr. Colson)
Jon P.
Randy Pekich
Dave (Deptford) Pine
Marco Pirroni
Pistachio Boys

Tony Pizarro
Poetic
Prince Paul
Prophecy Entertainment
Rickidy Raw
Mykaell Riley
Jim Rondinelli
Tim Russell
Micajah Ryan
Michael Schlesinger
Paul Schroeder
Shad Scott
Skold
Mike Stewart
Studio 7
Dave Swanson
Paul Taylor
Louie Teran
Eric "E.T." Thorngren
Tim & Bob
Tosh
Haig V. (Vartzbedian)
Simon Vinestock
Richie Wermerling
Mark Wilkin (Solo)
Sam Williams
Aaron Zigman

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