Back so soon? Yes we are. Since there's always so much news and info to share, we figured it was right to deliver this baby a little earlier than usual. If you are wondering how to get into the mix here at RPM Direct, please add us to your press list and send your press releases and other interesting news items to News@rpmdirect.com. We reach over 10,000 recording industry readers from all over the world every 2 weeks - if you don't think we have the kind of audience or reach you're looking for, you be wrong! AES is just a month away - have you made your travel plans yet? If so, please get in touch with the RPM offices to set up your meet & greet - we look forward to seeing you and our many friends from far away places! The show is shaping up to be a positive event for our industry - don't miss it. Also, there's just 1 month left to submit your music or your artists for the RPM Direct Presents: Unsigned Vol. 2 compilation CD. If you haven't already, please send us music you are currently shopping, promoting etc. If we like what we hear, it goes on a CD gets and distributed to 2,000 top creative execs, producers, music supervisors, press and more. And lastly, if you're looking for a great way to deliver bang for your advertising buck, check out the RPM Direct 2003 Recording Studio Calendar - through this project we have ad packages available for studios, producer management, manufacturers etc. that offers extend ad space throughout all RPM Direct "properties". Please contact Jerimaya Grabher for more information. If you do not regularly receive this newsletter and would like to, please click here.
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Beloved mastering engineer Denny Purcell was found dead Thursday, August 22 in the offices of his Georgetown Masters studio in Nashville. He was 51. The cause of death was not immediately known, but was likely caused by heart failure or stroke, according those close to Purcell. ''The high quality mastering community is very small here in Nashville. And he was one of, if not the, best,'' said Alan Stoker, recording curator at the Country Music Hall of Fame. Denny's career spanned 3 decades, with a start in Nashville at historic Woodland Studios. He later founded Georgetown in 1985. In 1998, Georgetown won Billboard magazine's Mastering Facility of the Year award. During his career Denny mastered more than 8,000 albums, including close to 500 that went gold or platinum. His client list included almost every significant country artist of recent decades, from Neil Young to Garth Brookes to Vince Gill. "The mastering process is like framing a beautiful piece of art," Gill said. "He really cared about it. What a great lover of music. He would listen in an entirely different way than most people would. I just trusted him." Denny said in a July interview that his business had suffered as a result of the weak country music economy but that he'd found new opportunities in emerging surround-sound formats. Recently, he remastered historic rock albums by Neil Young, Van Morrison and others into new, high-definition digital formats. ''He was in the best spirits in the six months I've known him,'' said new Georgetown vice president Andrew Mendelson. ''Business was starting to pull out of a slump. Things were going great.'' A memorial service was held on Monday, August 26 at Nashville's Harpeth Hills Memory Gardens and Funeral Home. In lieu of flowers, the family requests that donations be made to the Collaborative Campaign, Attn: Yvonne Moneypenny, Vanderbilt University Medical Center, 801 Oxford House, 1313 21st Ave. S., Nashville, Tenn. 37232-4753.
Sanctuary Producer Management Expands, Opens LA Offices The Sanctuary Group is pleased to announce that Sanctuary Producer Management Inc. has expanded and opened an office in Los Angeles, CA. As of now, any future correspondence to Jim Phelan or Cheryl dee Stotter should be sent to: Sanctuary Producer Management Inc., 301 Arizona Ave., Ste. 200, Santa Monica, CA 90401 (310) 566-5000 ph, (310) 566 5001 fax. Sanctuary producer manager Kim Spikes will continue to be contacted through the Sanctuary New York office: (212) 599-2757 pH, (212) 599-2747 fax. The Sanctuary roster features: Peter Asher, Joe Blaney, Jude Cole, Ed Cherney, Bob Ezrin, Adam F., Nigel Green, Dennis Herring, Ross Hogarth, Ethan Johns, Glyn Johns, Jay Joyce, Gerard McMahon, Chris Neil, David Rolfe, Charlie Sexton, Russ Titelman and John Travis. ^BACK UP^
Only A Few Weeks Left To Submit For RPM's Unsigned Vol. 2 There is only 1 month left to submit your music for Volume 2 in the RPM Direct Presents: Unsigned compilation CD series. Don't miss out on this chance to have your music heard by 2,000 hit making music industry professionals from around the world! You'll be sorry if you miss out - send in your music today! *New to Volume 2 - All music submitted for Volume 2 will also count as an entry into RPM Direct's "Submit To Win" contest!! Prizes include a CD replication package from Crest National in Hollywood, CA, subscriptions to Mix and Remix Magazines, and other great prizes. PLUS! If you are in or able to travel to Los Angeles, CA you may be selected to perform at a Slamdance "Homegrown" live showcase event OR during the Slamdance Film Festival, held concurrently with the Sundance Film Festival, in Park City, UT during January 18-25, 2003. Music Makers + Film Makers + Industry = Huge Exposure Opportunities. All music submissions are reviewed by a panel of veteran industry professionals, including A&R executives, music publishers, record producers, promotion and marketing executives. Final music selections are based on commercial potential, originality, overall quality of performance and production. Final artist choices will appear on an exclusive RPM Direct compilation CD that will be distributed directly to 2,000 of the world's top creative executives in A&R, record producers, artist managers, music attorneys, music publishing, film & tv music, radio programmers and more. The project will also be heavily promoted in the RPM Direct Newsletter and through other recording industry media outlets. For more details about the RPM Direct Presents: Unsigned compilation, please visit our Rules & Regulations page or Frequently Asked Questions page. ^BACK UP^
RIAA Website Hacked For Third Time
The Record Industry Association of America's (RIAA) official website was hit for a third time by hackers who once again rewrote the content on the music lobby's site. This time their attacks were carried out over the holiday weekend insuring that the hack would last longer until someone in the organization cuts short their vacation weekend to correct it. This is now the third time in a month that the site has been breached by intruders. The first was a DdOS attack that brought the entire system down for a couple of days. The second, like the present attack, rewrote content on the site, seeming a protest against the stand the organization and the industry it represents has taken to control Net music. This time the rewritten content read: "RIAA against music sharing? Not anymore! RIAA to sue music sharers? Not Anymore With the legal file sharing service kazaa still online, the Recording Industry Association of America (RIAA) today announced that it intends to offer the latest albums for download from riaa.org. As you are probably aware, the RIAA has been pursuing a policy of preventing this activity in recent months. We have recently become aware that this approach is yielding only limited results and in some cases may in fact be harming sales and the artists' revenue stream. The RIAA wishes to apologize for the heavy-handed manner in which the popular Chinese site Listen4Ever was closed down, and would like to present the following items for free download as a token of its goodwill. Of course the list is relatively small, but please be patient - we expect to offer over 300 next week. We also intend to offer pre-released movies in the coming months. If what you want isn't on the list, then please try Kazaa Lite - available here" Listed below the above parody were 20 links to download songs by Linkin Park. These files were also loaded on the RIAA site under a Napster archive directory. Classic. For more information check out Boycott-RIAA.
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Walters-Storyk Design Group Fine Tunes Engine Room Audio Engine Room Audio, a full-service audio production facility located on the border of NY's colorful Soho and Chinatown districts, has introduced a new state-of-the-art mastering lab. Walters-Storyk Design Group principal architect John Storyk completed the acoustical design and installation; following original construction consultation by Chris Bowman of CHBO. Engine Room owner/head engineer Mark Christensen reports that the mastering suite represents the final step in the development of the young facility: "We opened our new facility about a year ago with six editing rooms, two live rooms, and duplication services. When we entered the final stage of the build, our budget was stretched pretty thin. We weren't planning to build a room of this caliber, but Chris convinced me that with John's help this could become an A-list room. "Our old facilities primarily targeted small scale projects and duplication clients," continues Christensen. "When we built this room, our intention was to construct a high-end mastering suite to cater to our growing downtown clientele. We wanted to create a top-of-the-line room that was accessible to independent as well as major label projects." The room features a hybrid of digital and analog gear including a SADiE 24/96 digital audio workstation and a host of classic TubeTech, Manley, Universal Audio, Ampex, Avalon, Waves, and Crane Song outboard gear. CHBO oversaw the initial design phases, including the construction of the isolated acoustic shell. WSDG completed the design with interior room acoustics including a number of cutting-edge acoustical accouterments. "The room is spectacular–it sounds phenomenal and looks great," Christensen claims. The feedback has been very positive." Recent mastering projects completed at Engine Room Audio include: a J Mascis (Dinosaur Jr.) produced album from recording artist Tony Jarvis, several classical music albums for Museovitch Productions, the new Goat CD produced by Tony Mangurian (Veruca Salt), and a number of assignments for Hong Kong-based alternative dance label, Respect Music, Inc. Celebrating its 33nd anniversary, the Walters-Storyk Design Group has designed over 1400 media production facilities in the U.S., the Far East and South America. Their credits range from the original Jimi Hendrix Electric Ladyland Studio and Howard Schwartz Recording complex (NY) to Synchrosound in Kuala Lumpur, Malaysia, and Argentina's Circo Beat Studios. Recent projects include: film composer Carter Burwell's Tribeca NY studio, a facility for recording artist Paul Winter, the cutting-edge Interlochen, MI, Public Radio complex, Thirteen/WNET NY's new 5.1 audio suite, and Tim Mosley's new Timbaland Studios. ^BACK UP^
London's Mark Angelo Studios Has Had A Busy Summer
It's been a very busy summer at Mark Angelo Studios. Dune Records booked time in August for vocalist Juliet Roberts to record an album. Juliet is an accomplished and versatile singer and with a string of hits to her credit. House fans may remember her collaboration with Dancin' Danny D., which resulted in the Top 20 dance anthem, 'Caught In The Middle'. The new album, 'Beneath The Surface', which is produced by Jason Yarde and engineered by Tony Platt, is released on Dune through New Note on October 21. Mark Angelo is always popular with producers of music for film and television. Jah Wobble returned to continue 5.1 recording and mixing for the soundtrack to the forthcoming film, 'The Fury'. Producer Julian Litman also chose Mark Angleo's to record music for the popular television series '2000 Acres Of Sky'. In July, MA welcomed Dutch artists, De-dijk, who were working with producer Rafe McKenna. Nexus, the three girl R&B act who recently signed to in-house label, DCU Records, have wasted no time getting down to work in the studio. They have been busy writing and recording their debut album with Mark Angelo's MD, Mark Lusardi. John Lee Hooker tribute album "From Clarksdale To Heaven - Remembering John Lee Hooker" will be released through Blue Storm Music on September 24th. The recording took place here at Mark Angelo's throughout November last year, and now it's release is finally around the corner. Jeff Beck, Gary Moore, Jack Bruce, Peter Green, Mick Taylor, Andy Fairweather-Low, and Gary Brooker were all at Mark Angelo to record tracks with producer Pete Brown. More information about the album is is available on the Blue Storm website. For more information contact studio manager Mimi Kerns at Mark Angelo Recording Studios 13 Impress House Mansell Road London W3 7QH Tel: 44 (0) 20 8735 0040 Fax: 44 (0) 20 8735 0041 ^BACK UP^
Glenwood Place Names Mitch Berger Chief Technical Engineer
With almost 20 years experience in the recording industry, servicing studios from Los Angeles to Miami, Mitch Berger has recently joined Glenwood Place Studios, as it’s new chief technical engineer. Berger, who spent the last 4 1/2 years at The Village Recorders in West L.A., where he was responsible for maintenance, session set up confirmation as well as new equipment installations and the creation of the facilities fibre networking system. "Along with the day to day operation of the SSL 9000J, Euphonix and AMEK 9098i rooms here at Glenwood, one of my goals will be to work on getting the fourth room on air by 2003," states Berger. "We're looking at an all Pro Tools suite with a fully equipped control room featuring a Pro Controller, Pro Tools HD and tracking capabilities." Glenwood GM/Studio Manager Kit Rebhun views Berger’s presence as a great addition to the facilities continued growth. "Mitch brings with him a wealth of technical skills that go beyond the average tech. He has worked with some of our industry’s most influential producers/engineers such as Roy Thomas Baker, Rick Rubin, Al Schmitt and T-Bone Burnett," shares Rebhun. "Glenwood’s clients know that with Mitch on their session combined with the best equipment and acoustics in LA they are assured of the best recording experience possible." Berger shares his enthusiasm about his current project, which involves the installation of a 64-input vintage customized Neve 8068. "Although the AMEK 9098i is a great sounding console we’ll be replacing it with the Neve. We've got a great tracking room and the demand was for a great tracking board. With the installation of the Neve this September we will offer clients the best in all worlds technically," says Berger. "I couldn’t be more thrilled to be a part of one of our industry’s most cutting edge facilities." For more information on Glenwood Place Studios, contact Kit Rebhun Tel: 818 260 9555; Fax: 818 260 9507. ^BACK UP^
Fits & Starts Launches 4th Season With New 5.1 Road Tours Fits & Starts Productions, LLC is proud to announce the launching of its fourth season of audio education seminar and workshop tours. Now the leading producer of audio seminars in the USA, F&S Productions has scheduled a new season of road tours featuring audio engineer and surround authority Mike Sokol. This tour season will provide a new look at 5.1 sound featuring "5.1 Advanced Techniques." Students and professionals will be treated to hands-on techniques including speaker positioning, laser alignment, bass-management crossover points, level calibration and real-time 5.1 microphone techniques. The tours will visit recording schools and music colleges, as well as AES and Recording Academy chapters coast to coast. Scheduled are six regional tours in the Northeast, Midwest, Texas-Southwest, Southeast, West Coast and Mountain States. Each tour visits six separate sites. Tours start September 16, 2002 and continue every four to six weeks until May 2003. Admittance is free to participating attendees. First Tour Region Announced 5.1 surround road tour begins in the Northeast region this year and makes stops at the following sites. Please call the sites directly for directions. NORTHEAST REGION TOUR STOPS: September 16, 2002, Pittsburgh, PA; Carnegie Mellon Univ./AES chapter. 7 PM start. September 17, 2002, New York City, NY; Institute of Audio Research/AES chapter, 7 PM start. September 18, 2002, Hartford, CT; Hartt School of Music/Univ. of Hartford. 6 PM start. September 20, 2002, Boston, MA; Berklee School of Music. 2 PM start. September 24, 2002, Winchester, VA; Shenandaoh Univ. 7 PM start. September 26, 2002, Phoenix (Baltimore), MD; Sheffield Recording. 7 PM start. Road Tour Sponsors include Digital Theater Systems (DTS), Tannoy-TGI, Lake Technology, Radikal Technologies and Shure Incorporated. For more information contact Hector La Torre at (732) 741-1275. ^BACK UP^
Activision Releases First Title Featuring DTS Surround Sound
Building its library of titles for PlayStation2, DTS announces that Street Hoops is the first title from Activision, Inc. to include DTS surround sound. An authentic and realistic street basketball game, Street Hoops is encoded with 4.0-channel DTS sound in the PlayStation2 version. Only games employing DTS Interactive technology allow PlayStation2 players to experience real-time interactive discrete surround sound during gameplay. Developed by Black Ops Entertainment, with audio effects by Tommy Tallarico, Street Hoops has a soundtrack featuring top hip-hop artists that comes alive in DTS sound. Players need only select DTS from the audio menu and hook their PlayStation2 up to a DTS-capable surround sound system to feel like they are actually on the basketball court. The game also includes a secret DTS-uniformed team that players can select via "cheat codes." "Today, more and more developers and players are realizing how DTS surround sound can enhance a game," said Jon Kirchner, President and CEO of DTS. "It is great to work with companies like Activision that want to push the audio envelope in gameplay." "Activision creates titles that offer the best gaming experience possible," said Will Kassoy, vice president, Global Brand Management, Activision, Inc. "DTS Interactive surround sound puts the player right into the game. Players can hear the crowds and comments around them, sense when someone is coming from behind, and feel the ambient sound in whatever environment they are playing." Introduced in September 2001, the DTS Interactive software developers kit (SDK) is available to game developers directly through their respective territories' PlayStation2 developer Web sites. In addition to Street Hoops, there are currently four DTS-encoded PlayStation2 titles available: SSX Tricky, NHL 2002, Sled Storm and Pirates: Legend of Black Kat (all from Electronic Arts.) For further information, please visit www.dtsonline.com. ^BACK UP^
Sheffield's Remote Division Rolls Out For A Busy Season
Sheffield Remote Recordings has just finished up a busy half of the year. Sheffield's remote audio truck recorded acts like Counting Crows, Melissa Etheridge, and India Airie at The New Orleans Jazz Festival for the Trio Network. Sean Murphy was the audio producer. The Boston Symphony was the backdrop for the audio truck to recorded the PBS Series "An Evening at Pops" with legendary music producer John McClure. From Boston it was off to Baltimore to do a live national broadcast for MTV of Warner Brothers records "The Hive". Sheffield then loaded up both the 48' digital audio truck and the 48' digital video truck and rolled into Washington D.C. to shoot and record a DVD for Speedway Films of Jimmy Eat World. Jennifer Rothlein was the producer and Guy Charbonneau was the audio engineer. Next was the warm Florida coast to record the audio for the upcoming Usher DVD. The show was produced by Phillip Hack with Skip Kemp as the audio producer. Finally the truck finished up in Asbury Park NJ to record and do a live broadcast of the boss Bruce Springsteen. Toby Scott was the mixing engineer with assistant Jake Mossman. For more information about Sheffield Remote's audio services contact Vance Van Horn 410-628-7260 ext206 ^BACK UP^
Jimmy Jam and Terry Lewis Switch Their Mix To Yamaha Grammy-winning producers James "Jimmy Jam" Harris and Terry Lewis have been working with some influential artists recently, including Michael Jackson, Mary J. Blige, Gladys Knight and Prince. The duo has also switched over to the Yamaha DM2000 digital production console to mix their latest albums. "I've used the same board for over 15 years, and I've never considered changing it until now," says Jimmy Jam. "The DM2000 has replaced that board." Developed for the commercial production market, a Yamaha DM2000 is a multi-platform mixing system. It provides 96 channels of crystal-clear, dynamic control, noise-free, 24-bit/96 kHz audio, and a battalion of effects and processing. The digital console offers 96 input channels, extensive surround production features, integrated digital audio workstation and Pro Tools control, providing more than nine times the processing power of the Yamaha 02R. While in 96k mode, there is no loss of any inputs or outputs, made possible by utilizing the newly developed DSP7 LSIs with 32-bit (accumulative 58-bit) internal processing. Yamaha's DM2000 also features downmix matrix, which enables L-C-R-S and stereo mix monitoring ideal for 5.1 surround mixing to DVD. Multiple 5.1 stem mixes can easily be handled. Yamaha Corporation of America 714-522-9011 www.yamaha.com/proaudio ^BACK UP^
New York International Independent Film and Video Festival
The New York International Independent Film and Video Festival (NYIIFVF) returns to Manhattan in full force, showcasing over 300 impressive features, shorts, animations and documentaries. Founded in 1993 by Stuart Alson, NYIIFVF has been recognized by the film and entertainment industry as one of the leading film events on the independent festival circuit. Past Festivals have included the work of Abel Ferrara, Andy Garcia, Calista Flockhart, Cameron Diaz, Christopher Walken, Daryl Hannah, Eva Herzigova, Guy Pearce, George Clooney, Jennifer Aniston, Matthew Modine, Rod Steiger, Tippi Hedren, Tony Danza and Willem Defoe. Each year the NYIIFVF attracts many global entries. This year's entries include: Australia, Brazil, Canada, France, Germany, Ireland, Spain, Tunisia and the U.K. The scope of the festival ranges from high profile to novice, so visitors can expect to experience an array of films, all driven by the spirit of independent movie making. NYIIFVF is hosting film events in the three entertainment capitals of America: New York, Los Angeles and Las Vegas. The festival begins its celebrations on September 18 with an opening night gala at Madison Square Garden and runs through September 28 at Village East Cinemas. For more information send email to indiefilmpr@aol.com or visit www.nyfilmvideo.com. ^BACK U P^
A Few Quick Studio News Items and Brief Producer Updates Chalice Recording Studio, a newly opened 3-room facility in Hollywood, CA housed its first client multiple grammy award winner Warren Riker, producing Arista act "From Zero". The band's new album was mixed in its entirety in Studio 'B' on an 84-input Neve 88R. Wyclef Jean spent three days in Studio 'A' on its 96 channel J9000 producing Tom Jones. For more information contact Ben Tao or visit Chalice Recording online.
Matt
Bayles recently produced, recorded and mixed Boston's ISIS "Oceanic"
for Mike Patton's Ipecac Records. He also produced with Shawn Smith for
his upcoming solo record for Redline Entertainment. Bayles also engineered
10 and mixed four songs on the recenctly released Brad album (featuring
Stone Gossard of Pearl Jam and Shawn Smith of Pigeonhed). If you're interested
in talking, Matt is in the market for new management. For more information
contact Matt Bayles
Eliot Cohn is now representing two producer-mixer/engineers
with Gary Waldman: Jim Scott (as attorney) and Mark Needham (as co-manager).
Jim Scott is a Grammy Award winner who was worked with the likes of Bare
Naked Ladies, Rage Against The Machine, Tom Petty, Lifehouse, Natalie
Merchant, Santana, Counting Crows, Johnny Cash, Lucinda Williams and Sting.
Jim engineered and mixed the Red Hot Chili Peppers multi-platinum "Californication",
and their new LP, "By The Way". Jim was awarded the 1995 Grammy
for Best Engineered Album for his work on Tom Petty's Wildflowers (Warner
Bros.) Mark Needham's credits include mixing for Cake, Meredith Brooks,
and DC Talk. He has recorded tracks for Elton John, Chrissy Hynde, Bruce
Hornsby, John Hiatt, and Rickie Lee Jones. Mark is currently mixing The
Chris Isaak Show on Showtime and VH1 in 5.1 Surround. Mark is also mixing
the new Fleetwood Mac LP. For more information and availability, please
contact Elliot Cahn
at (510) 652-1615. Or the Morebarn Music website at www.morebarn.com
If You're In A&R, Manage Artists Or A Studio - RPM Is For You Still holding on to outdated printed management rosters? Can't seem to keep track of who reps who these days? Do you wish someone could give you access to the world's largest producer/engineer directory? RPM Direct is your answer. If you need access, subscribe today - we can bill you the full $495 rate or if you put it on your credit card and charge it monthly we'll knock $135.00 off the regular annual subscription price! A Subscription To RPMDirect.com Gives You: Access to updated discographies for nearly 3,000 top US, Canadian, UK and Australian record producers, engineers, mixers, remixers and programmers; Access to over 1,000 confidential producer/engineer management and production company contacts including: contact name(s), address, phone/fax, direct email, website URL, full company client roster; Worldwide producer locator service; Portability - research producer info from anywhere you can access the Web; And coming soon, subscribers will have access to RPM Direct's forthcoming Recording Studio Directory featuring listing from thousands of studios around the world . If you would like to borrow a guest password to check out the site, send email to Jerimaya Grabher to request one. Or click the button below to sign up today. ^BACK UP^
Feel Like You're Missing Out? Visit The Newsletter Archive Feel like you're missing out on what we do? Then visit the RPM Direct Newsletter Archive to catch up on reading you may have missed. If you'd like to browse our producer directory but you aren't a subscriber, contact contactJerimaya Grabher to request a password for access. ^BACK TO TOP^
Michael Andrews (Elgin Park)
Mark Arnell
Chris Arvan
Rob B./Da Loops
Rob "Fonksta" Bacon
Andy Baker
Ball & Vauk
Chad Bamford
Boilerhouse Boys
Charlie Brocco
Bruce Brody
Bug City
David Castell
CC Groove
Ronnie Champagne
Phil Chill
Rob Christiansen
Jessica Corcoran
Jason Coreare
Warren Croyle
Jamie Cullum
Lee Curle
Andre Cymone
Darkman
Lee De Carlo
Dave Dederer
Peter Denenberg
Steven Dubin
Anjali Dutt
Phil Ek
EZI-CUT
Steve Fisk
Tom Frederikse
Eric E. Garten
Eric O'Brien Garten
Global Communications
Dito Godwin
Jim Goodwin
John Gosling
Richard Gottehrer
Lindsay Gravina
Roger Greenawalt
Tom Grimley
Mark Haley
Ray Hedges
David Hemming
Dave Hillis
Stephen Hilton
Mike Hoffman
Loren Israel
Ivan Ivan
Bob St. John
Juno Reactor
Ben Kape
Rob Kirwan
Ko-Jo
John Lee
Ken Lomas
Reggie Lucas
M Beat
Jamie Maher
Ollie Marland
Ray Martin
Glen Matlock
John McEntire
Eric "E" Miller
Gustavo Moratorio
Roli Mosimann
Richard T. Norris
Eddy Offord
Doug Olson (Mr. Colson)
Jon P.
Randy Pekich
Dave (Deptford) Pine
Marco Pirroni
Pistachio Boys
Tony Pizarro
Poetic
Prince Paul
Prophecy Entertainment
Rickidy Raw
Mykaell Riley
Jim Rondinelli
Tim Russell
Micajah Ryan
Michael Schlesinger
Paul Schroeder
Shad Scott
Skold
Mike Stewart
Studio 7
Dave Swanson
Paul Taylor
Louie Teran
Eric "E.T." Thorngren
Tim & Bob
Tosh
Haig V. (Vartzbedian)
Simon Vinestock
Richie Wermerling
Mark Wilkin (Solo)
Sam Williams
Aaron Zigman
Please send press releases and other interesting news items for this newsletter to News@rpmdirect.com
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